2/18/2024 0 Comments MainStage 3 for iphone instalThese tend to mix badly with the high-vibration environment of a gig so I would recommend something with Flash /Solid State storage. With regard to tech specs, the cheaper/older Macs tend to have traditional spinning hard drives. MainStage 3 is an Apple product and so there is no Mainstage software for PC. This is not a problem if you are just starting a track, but can be a real issue if you need your samples to be bang on a specific beat or if you are playing the keys.Īnother consideration is the Mac you use. In my experience, the Logic Remote App is really useful but there can sometimes be latency due to the wireless connection especially receiving a large volume of requests. If you have an iOS device, MainStage will work with the Logic Remote App which is a free app from the App Store which will allow you to play a wide variety of keys and trigger samples.Īs a tip: while this is a really good feature. No problem, you can use Logic Mainstage 3 iPad instead. Making Music On The Go?ĭon’t want to travel with your best home music production compute r? I use an AKAI MPK mini 25-note MIDI keyboard and a Focusrite Scarlett 2i2 interface. The physical keyboard is easier for triggering samples with the buttons and playing MIDI sounds and the interface will give you options for running guitars/mics/keyboards in and getting a balanced line out rather than relying on the headphone jack. You can also use VST Plugins (virtual instruments) – download a ton of free VST plugins here. Keep reading this Mainstage 3 tutorial to find out everything you need to know about using Mainstage 3 and also how to use mainstage 3 live! Tools like these can help you take your first step towards your music career. However, for the past few years, Apple had their own performance software available and with the advent of a new and improved Logic Pro X, they released MainStage 3 for all your live performance and recording needs. When talking about Mainstage 3 vs Ableton Live, m ore often than not, Ableton tends to be the market leader here. You may be wondering, what’s the deal with Mainstage 3 vs Ableton Live? Well, let’s talk about it. Musicians can now loop, use samples, add effects, trigger backing tracks and utilise a host of new sounds via MIDI to recreate the huge timbre of modern albums (for inspiration on what’s possible – check out some of Imogen Heap’s live shows). So just what is Mainstage 3? Well, computers have revolutionised many elements of the music industry, including live-rig performance. Ultimately, the sounds and patches in MainStage and Logic are the same it's just how you use them that are different between each program.Conquering MainStage 3: The Fool-Proof Guide & iPad Tutorial It's basically Ableton's session view within Logic. I use Logic in live situations more than ever now for backing track playback, because Live Loops lets you really easily create a session where you can trigger certain sections of a song and bounce around between sections really easily. However, the line was just recently blurred between MainStage and Logic with the Live Loops feature. If you are playing an electric drum pad or keyboard in a live situation and want to have all your studio sounds at your fingertips without having to click through a bunch of menus to make changes on the fly, MainStage is a really good way to achieve that. It allows you to take a VST, apply some effects, and design your own UI layout, with the controls you need right on screen, and nothing you don't need. It also makes it very easy to program a series of presets, one after the other, for quick switching of sounds and patches between songs. It is designed to be lighter and use less of your CPU than Logic would. The best way I can describe it is this: MainStage is set up to take the sounds and instrument plugins that you can use in Logic, and streamlines the UI for ease of use during a live situation. I am a drummer, keyboardist, and playback engineer (backing tracks) that uses Ableton and MainStage live, and Logic in the studio.
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